Over more than a year, I’ve been working on a series of in-camera multiple exposure images using models in a studio and strobes. Generally, my approach has been to make the exposures with my camera fixed on a tripod, often with a prime lens, and definitely at a fixed focal length. But what happens when I take the camera off the tripod, move the camera position around, and vary the focal length while the model moves into different poses? One answer to this question is Obeisance, shown below, with eight exposures at several focal lengths, from various vantage points, shows both the back and the front of the model at the same time.

Related stories: Three Graces; New Phylum; Hekatonkheires; Pagan Goddess; Falling; A Rorschach for MFAs; Multiple Exposures.