Harold Davis’ talent as a painter is evident in this beautifully rendered photograph of the Jamaa-el-Fnaa marketplace in Marakesh, Morocco.  © Harold Davis

Eileen Fritsch, a writer who often covers the visual arts, profiled me recently in relationship to digital printmaking. In her profile, Eileen notes that I regard my work as “digital paintings that use photographs as the medium.” She continues: “With his unique style, Davis is at the forefront of an emerging art movement in which creative photographers can do far more than capture an elusive moment in time. Thanks to Photoshop (which recently celebrated its 25th anniversary), photographic artists such as Harold Davis can now create images that depict almost any type of scene or subject they can envision in their mind’s eye.”

You can read the extensive full article on the Moab Paper blog.

In this multiple exposure image, Harold Davis envisions image “Hekatonkheires” the three mythical Greek gods of violent storms and hurricanes. The artisanal pigment print takes full advantage of the qualities of Moab Slickrock Metallic Pearl 360 paper. Photo: © Harold Davis

Pages for the Kumano Kodo portfolio are printed on the roll and hand trimmed, scored, signed, and bound. Photo: © Harold Davis