We still have room for two more in my very small group photographic tour of Paris beginning May 1, 2016. This is your last chance to register for the trip since we need to confirm our reservations for the group soon.
In case you may still be considering joining me for this unique travel-and-photography experience to Paris in the springtime—or if you simply want to armchair travel instead of the “real thing”—I am providing a link to the detailed packet of logistics information that is going out to the lucky participants (PDF). Please let me know right away if you are interested!
Trip highlights include: Paris in the Spring, an inside tour of the Opera Garnier, photography of panoramic views of Paris from the Tour Montparnasse, Paris at night, Monmartre and Sacre Coeur, Monet’s Garden at Giverny with special after-hours access, and Paris, Paris, Paris!
We will be staying in the luxurious and discrete 4-star Hotel de l’Abbaye, which is located on a side street near the Luxembourg Gardens and San Sulpice, a peaceful home-away-from-home in the heart of Saint-Germain-des-Prés.
Who could ask for more?
Click here for registration information and here for the Registration form.
Here’s what some folks who have been with me on photo tours have said:
- “Harold navigates foreign countries with astuteness and cultural sensitivity. His choice of guides, hotels, locations and restaurants is always impeccable. I returned from our trip with a much better sense of how to photograph in a diverse and wonderful array of locations, and had a great time with a compatible group while I learned.”
- “Harold is a distinguished author of many books, educator, and photographer. It was amazing to spend so much one-on-one time with him in these great photographic locations.”
- “Harold is a gifted artist, AND a great teacher! A rare combo, IMHO.”
- “Harold has great skill, but without the ego of most master photographers. Travel arrangements were perfect.”
- “One thing I really liked about the photo tour that Harold set up is that we had plenty of time to photograph in the best locations, and really prioritized when the light would be good.”