I thought this white rose with a hint of satin-like blush was going to look great in black and white, but when I processed it I saw that the color had some appeal as well. One of the great things about digital black and white is that you can have a “two-fer”: a color image and a monochromatic image.


I photographed this white rose using ambient sunlight with my 200mm f/4 Nikkor macro lens on a tripod, and a 18mm extension tube to get a little closer. Each image is a blended combination of six exposures, stopped down to f/32 and bracketed one EV apart for each exposure (by shutter speed).


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