The other day I went for a long walk in nearby Tilden Park, which lies about a mile from my home, on the farther side of the initial crest of the Coastal Range hills. On the trail, I stopped to put down my backpack and take out my camera. The photo shown below, Eucalyptus Forest, was the result.
![Eucalyptus Forest © Harold Davis](https://www.digitalfieldguide.com/wp-content/uploads/2020/06/Eucalyptus-Forest-scaled.jpg)
As I looked at Eucalyptus Forest in post-production, I realized that there was a structural similarly with other images of trees I have made. The examples that came to mind were Along the Old Schoolhouse Trail and Aspens near Sonora Pass.
![Along the Old Schoolhouse Trail © Harold Davis](https://www.digitalfieldguide.com/wp-content/uploads/2019/12/Along-the-Old-Schoolhouse-Trail-scaled.jpg)
Of course, the species of tree are different. The chaotic and messy eucalyptus make it hard to see linear order, even among the vertical lines of the trees. And the California coastal oaks along the Old Schoolhouse Trail are not the aspens that I photographed near the summit of Sonora Pass in the Sierra Nevada.
![Aspens near Sonora Pass](https://www.digitalfieldguide.com/wp-content/uploads/2011/09/Aspens-near-Sonora-Pass.jpg)
But all three images share similarities in formal composition. As I teach my students, one can diagram compositions using simple shapes like lines and circles, and making note of patterned repetition. With a line drawing of these three compositions, the underlying similarity of image structure becomes clear.
My artistic intent was also comparable across the three images: I wanted to capture the spirits of the trees, Dryads if you will. In my mind, the spirits of trees are always dancing.
Original blog stories: Along the Old Schoolhouse Trail; Aspens below Sonora Pass.